DVD Enemy
Run time: 90 min
Rating: 6.8
Genres: Mystery | Thriller
Director: Denis Villeneuve
Writers: José Saramago, Javier Gullón
Stars: Jake Gyllenhaal, Mélanie Laurent, Sarah Gadon
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Storyline A man seeks out his exact look-alike after spotting him in a movie. |
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Plot Keywords: actor, pregnant wife, doppelganger, tarantula, scar | |
Details: Country: Canada, Spain Release Date: 2 January 2015 (UK) |
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Box Office Opening Weekend: $18,000 (USA) (14 March 2014) Gross: $1,007,088 (USA) (9 May 2014) |
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4 comments
nobody seems to understand enemy, I loved the movie personally and you understand it if you watch it twice and pay attention.
okay ill try to explain it, it is about one man fighting with himself , while it is portrayed as two people (Anthony/Daniel and Adam) only one of them is real, and its Adam, I know this because in the beginning on the phone his mother is speaking and says "Adam honey" and also later on in the movie his mother also tells Adam (who is not an actor) to give up his dreams of being a third rate actor. now the story of this movie is hard to understand , its about Adam and Helens marriage and the remaining spark of an old affair, in the beginning you see it open with Jake Gyllenhaal in what is presumably a strip club, eventually you see a woman come out and step on a spider, the woman is Mary, Adam's affair , after that it opens to Adam sitting in his car as you hear his mother leave a voice mail for him. Throughout the movie you see spiders, spiders represent his affair with Mary, and how he still thinks about it, and when you see Adam with Mary he really isn't its just representing his still lasting feelings for her. you see when Adam calls Anthony it really wasn't Adam, it never happened, the whole phone call scene was his imagination, helping him realize he needs to forget about Mary. I'm gonna skip a bunch of unimportant things and try to go as chronologically as I can. At the point where Anthony tells Adam hes going to have sex with his girlfriend , that's really just Adam thinking to himself about him needing to get rid of Anthony and the memories of Mary. so when Anthony goes and takes Mary out that doesn't really happen. whats happening is Adam is thinking that up to help in the getting rid of memories, it is also revealed that Adam is the real person when Adam and Helen lay down and Helen asks how was school . the scene of Mary and Anthony having sex and Mary freaking out is Adam realizing he is married and needs to get rid of the memories, when Anthony and Mary crash the car it is Adam killing off the memories , squashing the spider per Se , this is supported when it zooms in on the crashed cars window the crack looks like a spiderweb, when Adam wakes up the radio speaks of a car crash but it says no details so It is likely that was just chance. also Helen reminds him about his mother calling him, which you should remember from the beginning of the movie. when Adam opens the letter and gets the key, it is a key to the strip club place, and he says to Helen he might have to go somewhere tonight. he goes to look at her and she is a huge spider, this represents how him going to the strip club would bring back the spider. during the movie the spider gets gradually bigger until it is huge and he cannot get it off his mind. so I hope I've explained well enough to help you understand what an amazing movie this truly is.
"Enemy" is the latest movie from Canadian filmmaker Denis Villeneuve, of "Prisoners" fame.
It is a doppelgänger story about a boring, gray man that discovers there is a cool, fancy actor that looks exactly like him. Exactly. Of course, he can't resist getting in touch with him, and of course that's where trouble begins.
Its twisted plot, visual features and philosophical themes have earned it a "what the heck" fame.
This movie is total chaos.
This is me trying to decipher it.
NOTE: This is just a summary, for my full review please visit: bit.ly/1eVEtD6
Adam and Anthony are two sides of the same person.
This is a man who feels trapped by his present as a boring, married, college professor about to become a father. He remembers his old dreams of youth (being an actor, having a cool bike, being a "man"). Spiders in the movie represent the "woman as a trap" in his mind, commitment that represses his individuality.
He gets carried away and leaves her wife and life for an adventure with another woman. This is represented by the initial private club scene where a stripper (his instinct) crushes a spider (the burden of his marriage and child).
He lives as an empty shell during this affair (memories stuffed in boxes in the back of his mind, torn pictures of his past representing the disconnect from his wife).
He reminisces of his old life (represented as his finding and research of his doppelgänger and his household). He does not like what he sees when he discovers his impulsive self. We learn he left aside his dreams for his wife (six months without visiting the acting agency, six months pregnant).
He is reminded by his mother (his conscience) of what really matters and what he has. Finally, he decides to return to his wife after an internal struggle where his instincts and his sense of responsibility fight to death. This death of his passionate, independent self is depicted literally as a car crash that kills his desire and ends with the close-up of a spider-web. He is trapped again.
His responsible self has dominated. But he is bound to make the same mistakes all over again. He finds and decides to use the key to the private club, darker desires come back to haunt him. And the cycle starts over again, in Hegelian form, repressing the self for the collectivism.
Enemy is the latest thriller from Canadian director Denis Villeneuve, and it stands as a hybrid mix of David Lynch and David Fincher at their very finest. Enemy follows Adam (Jake Gyllenhaal) on a journey to find his exact lookalike named Anthony, a terrible D-list celebrity. As his investigation deepens, the mystery thickens and he is thrown into a fray way above his head. What works in Enemy is Gyllenhaal's fearless performance as a man who is searching to find who he really is. There are a couple scenes that he has where is truly riveting and it becomes so hard to take your eyes off the screen. It really is an explosive yet very contained performance that I feel needs a lot of recognition. Enemy marks itself as a film about identity and never knowing who you truly are and the pressures of wanting to become something you're not. While it remains as a heavy message, it still makes for a film that almost demands repeat viewings. At 90 minutes even, the film moves and never slows down enough for us to even breathe. Before we can even question what is going on in one scene, Villeneuve throws us another curve ball to contend with. While that may bring confusion to many people, it is very welcoming to a viewer in the mood to do some serious thinking. Anything beyond that, it may garner some negative responses especially if you're not paying close attention. Enemy works well as a psychological thriller, bringing some of the most disturbing images I've seen on screen in recent years. This film is NOT scary, but it is extremely uneasy and very creepy, especially towards the last twenty minutes of the film, which had me holding my breath as we finally discover the truth of what is going on.
Overall, this is one hell of a film that really does almost require a second (and possibly a third) viewing. I highly recommend it, especially to fans of David Lynch's Eraserhead. The images are memorable, the performances are very well rounded and this is just a very very well done film.
Denis Villeneuve, whose last two films were the hugely impressive Incendies and Prisoners, has concocted a real oddity here. If you can imagine David Lynch adapting a Kafka novel, then you will be in the right neighborhood! In Incendies and Prisoners,Villeneuve inserted serious moral and social issues in the context of first rate thrillers' Here he follows the same tradition but the tone is more abstract and absurd. Neverherless, Enemy, adapted from a novel by the Nobel prize winner Jose Saramago, is always gripping and totally fascinating. A man (Jake Gyllenhaal) gets a recommendation from a colleague to watch a particular video. The main actor in the video appears to be his doppelgänger and the two agree to meet. To reveal any more would lessen the enjoyment of this highly original film. Well worth catching.