DVD Hua pi 2

Seriously, who can possibly resist the temptation of the flawless and seductive display from the ever-wonderful Zhou Xun, a much improved performance from Zhao Wei (after her dismal role in last year's "Mulan") and of course the insanely cute portrayal by Mini Yang. Like the 2008 prequel, "Painted Skin", to truly embrace the experience, the audience needs to slip into the film like a dream and suspend all beliefs. The more you escape from reality and believe into the world of "Painted Skin: The Resurrection", the more you will end up enjoying the experience. It is one of those special films that require the audience to just go with the flow, enjoy the scenery, the on-screen beauties on display, over the top action sequences, some truly wonderful acting and along with the stunning bright visuals on display.

Zhou Xun is simply flawless in her display as the "spirit" that wants to be more human than human. However, while this film shares the same issue as Ridley Scott's classic "Bladerunner", the issue of wanting to be more human is only given a superficial flick of a dice. Still, Zhou is able to carry the film and the manner in which she seductively graces the screen is nothing short of amazing. In particular her noticeable dance to seduce the General (played by Chen Kun) is certainly a highlight. It should also be noted that when the Zhou is required to switch roles with Zhao Wei, it is Zhou who is able to seamlessly step into the shoes of the princess character. It's been a while since Zhou's winning performance in "Perhaps Love", and while she may not win this year, another nomination is only just around the corner.

In terms of Zhao Wei, one must say that she gets better with age. This does not mean that she is aging well in terms of beauty, but rather the improvement comes in the form of her acting. After the disappointing "Mulan" where the fault lies more in the director and the script, rather than her ability in question, Zhao stands shoulder to shoulder in the role of a princess who values beauty and exterior, over the need of being a human. Her character is a direct contrast to Zhou Xun and she performs particularly well until the two switches bodies. There is a sadness in her eyes that allows the audience to always sympathize with her. It is a natural ability that cannot be taught and in many ways, she was always like this. Think back to "Shaolin Soccer" days, the tears in her eyes when she made the noodles still stands firmly on the back of my mind. While she did not exceed Zhou in terms of acting, there is no doubt that Zhao is finally coming of age.

After first catching my eye in "All's Well, Ends Well 2012" as the swimsuit babe, tackling a relatively difficult and engaging role in "Love in the Buff" and then meeting her in person at the same movie premiere, it is unreservedly that Mini Yang is the latest "it" girl to win my heart. What impressed me in this role is how versatile Yang is. Yang is constantly cute and perhaps the one character in the film that can link more to reality at a human level. Her giggles, laughs, cute-eyed look and comic timing is all at show here. While on surface, it seems like an easy role to play, it should not be underestimated, as it is a kind of role that can so easily go the route of being outright annoying and a waste of space. Instead Yang is able to glue the audience to the screen and turn her small role into a scene stealing performance. Putting aside my personal bias, Yang is still an actress to watch for years to come.

It must be said that one cannot stop being disappointed in the lack of a need for 3D or perhaps for the film not making most of the technology on hand. While "Painted Skin: The Resurrection" is beautiful to look at and at times the bright contrast and use of colours in the scenery and backdrop is breathtaking to endure. On the other hand, in the battle scene where the shooting of thousands of arrows is disappointing to say the least, despite obviously taking a page out of Zhang Yimou's infamous "Hero" scene. While Yimou did not have the same technology back in 2002, "Skin" fails to stretch the 3D technology and the result lacks the outcome of Yimou's earlier work. The film always lacks the vital ingredient of fight sequences, this may be due to the departure of Donnie Yen, but for the few fights that is included, almost all of them are well-choreographed. However, sometimes, less is not more, when the film could have done with at least a few more elaborated staged fights.

All in all, "Painted Skin: The Resurrection" is easily a crowd pleaser and in many ways more of the same as the 2008's original. What I really enjoy about these kinds of fantasy films are the manner in which it allows you to escape into another world. Imagine having a dream which compose of the seductiveness of Zhou Xun, the sympathetic looks of Zhao Wei and the cute-eyed Mini Yang. For me, it is more like a dream come true. Still, "Skin" is by no means a perfect movie and as with most dreams there are numerous plot holes, flaws and unrealistic moments, but if one is able to totally suspend your beliefs, then one can truly enjoy the experience. At the end of the day, sometimes when watching a film like "Painted Skin: The Resurrection" it is all about entertainment and for me, just thinking of the trio of actresses, I am already finding it hard to resist. Most certainly a dream-like experience… (Neo, 2012)

Neo rates it 8/10

– www. thehkneo.com/blog

Gordon Chan's Painted Skin back in 2008 had Singapore's Raintree Pictures as a production partner, with China born actor Qi Yuwu in one of his many overseas film forays, but the follow up film is a purely all-China affair, showing off what the Chinese film companies can do in terms of storytelling and effects, In all honesty, I prefer Painted Skin II over its predecessor precisely because it took its time to tell a proper story, contrary to the treatment of many mainstream China made films in the similar genre that had overemphasized less than stellar CG effects and sacrificed story along the way.

This is not a sequel, nor is it a prequel to the 2008 film, despite having to share the same title both in English and Mandarin. Most of the primary cast returned, and played totally new characters, where you can speak of this as if it's a spiritual companion to the first film, challenging the same cast in having to portray different characters in what would structurally almost be the same film, except with new themes and characters thrown into the mix, complete with breathtaking landscapes that only Western China could offer.

In this story, the power trio of Zhou Xun, Vicky Zhao and Chen Kun return. Zhou Xun reprises the role where she's the temptress foxy spirit Xiao Wei and the primary antagonist of sorts in this story, ripping out the hearts of man to devour and maintain her mortal looks. Being cursed and needing to fend off her icy prison, she got rescued by Zhao Wei's Princess, a royalty with an incredibly strong heart and a partially masked face, pining for the love of Chen Kun's General, who's at the frontiers to ward off the kingdom's enemies, which also serves as a refuge to hide his true feelings for the woman he believes he cannot deserve after being indirectly responsible for the mishap which led to her disfigurement.

Most of the screen time and plot development went to these three, and the camera just gorgeously captures them all in their romantic dalliances, especially when Xiao Wei becomes the de facto spanner in both the Princess and the General's love life no thanks to a little mesmerizing black magic that's cast to help Xiao Wei in her cause to obtain the Princess' heart, and become human. Sure it's a merry-go-round manner, but we learn certain rules of the game, where a transformation can only take place should a heart be willingly given up, as opposed to forcefully obtained by the demon. And in fact this issue is central and broached more than once in the film.

It revolves around the themes of unrequited love, sacrifice, and the long held belief that we are attracted to beautiful, flawless things, even if it's something a superficial as a woman's looks. The characters go back and forth in dealing with their emotions, and thankfully this served as sufficient back story to their individual characters, allowing a multi-faceted dimension to them, which of course worked wonders for its running time of over two hours. This in addition to the wonderful deliberate visuals that director Wuershan had given this film that the first one didn't possess.

Zhou Xun plays it cool this time round as the scheming Xiao Wei who would discover that being human isn't all that easy given that she has had powers easily taken for granted. Zhao Wei continues in her roles as warrior princesses from Red Cliff and Mulan, and plays to perfection the role of a woman willing to give up anything to be with the man she truly likes. And with two strong female leads playing opposite him, Chen Kun could well be regarded as the current Mr Popular with real acting ability, given license to brood most of the time as the conflicted General who isn't too aware that his eyes were stamped and cursed, leading him away from, and providing him reason enough to stray. The performances of these three together can go on forever.

Granted though with the increase in time dedicated for a special effects showcase, and an unwavering focus on characters, what had to give was the martial arts and fight scenes, which pale in scenes if compared to the first film. The martial arts practitioners were clearly reduced, and the antagonists in the form of the Wolf clan's Shaman (Kris Philips) and Queen (Chen Tingjia) didn't quite provide any real threat save for their sheer numbers of faceless army goons they bring to the fray. Their objective though brings the story full circle, with Mini Yang and Feng Shao-Feng's characters as Xiao Wei's bird companion, and a bumbling demon-slayer respectively, were in just to add to star power and for minor comic relief, being in tangent sub-plots that serve little to the main story.

Still, Painted Skin: The Resurrection actually revived some hopes that the Chinese film industry is capable of coming up with visually attractive, action-adventures that tap on the Liao Zhai sources, if elements in the film were well balanced with an adequate story, backed by solid cast members. And having some really sensual scenes in the film didn't hurt it at all given enough of them to highlight the man-demon transformation which was almost extreme Face-Off like, but in a sexier fashion. Recommended!