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DVD Unstoppable
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Storyline A runaway train carrying a cargo of toxic chemicals puts an engineer and his conductor in a race against time. They’re chasing the runaway train in a separate locomotive and need to bring it under control before it derails on a curve and causes a toxic spill that will decimate a town. Written by secret_agent |
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Plot Keywords: train, runaway train, train engineer, race against time, freight train | |
Details: Country: USA Release Date: 24 November 2010 (UK) |
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Box Office Budget: $100,000,000 (estimated) Opening Weekend: £1,714,871 (UK) (26 November 2010) Gross: $81,557,479 (USA) (4 March 2011) |
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If you've read the synopsis above, you pretty much know the long and short of Tony Scott's "Unstoppable". Based on the real-life story of an unmanned train that went careening down the tracks in Ohio after a railroad employee failed to set the air brakes while switching tracks, this dramatization of that little incident amps up the thrills for a white-knuckle 100-minute non-stop roller-coaster ride- just think of it as an adrenaline shot that pretty much grabs you by the throat and doesn't let go from start to finish.
The setup is plain and simple- on one end of the track is rookie conductor Will Colson (Chris Pine), paired with veteran railroad engineer Frank Barnes (Denzel Washington) on his first day of work. Frank and Will each have their own share of family problems and each bear their own reservations of the other- so there's a fair bit of tension between the two of them as they begin their shift, especially since Will is seen as the company's new blood employed to replace the older workers (including Frank) who have one by one been forced to retire.
Then on the other end of the track, some bumbling employee gets off a train in an attempt to switch tracks, puts the stick in throttle and sends the massive locomotive whizzing down rural Pennsylvania towards the more heavily populated areas. Corporate- represented by Kevin Dunn's VP of operations- and local ground operations- represented by Rosario Dawson's rail commander- can't agree how to stop it, the former as usual weighing the options in terms of dollars and cents on the stock market.
It is only halfway through the film that Frank and Will cross paths with said locomotive nicknamed "The Beast" and come out with a plan to link their engine to the back to it and gun it in the opposite direction. Tony Scott spends the first half of the film doing two things- one, emphasising the working-class backgrounds of Frank and Will; and two, laying out bare the peril of the situation. Both are deftly played for the nail-biting finish, which is guaranteed to leave you wide-eyed and open-mouthed.
By portraying Frank and Will's as everyday men with real concerns over livelihood and family, Scott and "Die Hard 4.0" writer Mark Bomback make the point loud and clear later on that that real-life heroes are really just ordinary men who do extraordinary acts of courage in the face of danger and calamity. Indeed, though it is apparent that both Frank and Will are the heroes of the story, playing down the chest-thumping heroics of their act proves to be a wise choice in painting them as regular people who rose to the occasion to save the lives of thousands, including their families and loved ones.
Scott instead stresses the magnitude of the occasion in repeated failed attempts at halting "The Beast", each and every attempt highlighting the destructive force of the locomotive at that weight and at that speed. Choosing to film the high-octane action sequences in a more straightforward realistic manner than his usual flashy visual style (i.e. jump cuts, shaky camera, zooms and colour-correction) also lends the proceedings an authentic and an altogether genuinely riveting feel, further underlining the gravity of their heroic act. Special mention goes to the sound design of the film, which in a proper theatre with good sound system will set the hall rumbling with the sound of the locomotive.
Because much of the focus of the film is on "The Beast", more screen time seems to be dedicated to the train than to our two lead actors, Denzel Washington and Chris Pine. Still, the ever-reliable Denzel Washington delivers a low-key but no less commanding performance as the dutiful railroad worker Frank. He also shares a nice buddy chemistry with Chris, and it's interesting to watch how the initial tension between the two gives way to mutual cooperation, understanding and finally respect.
Unfolding at a breathless pace, Tony Scott makes the most of a simple premise to deliver a relentlessly exciting action movie that plays like "Speed" on tracks. It wastes no time in getting to the meat of the action, and doesn't once let up right until the end of the thrill ride. In between, you get the story of two men, folks like you and I, who display an outstanding act of heroism when faced with imminent danger. Precisely because they are so relatable, "Unstoppable" becomes so much more gripping, and you'd be advised that this high-octane action movie is just the adrenaline fix you need for the week.
So, here we are. Tony Scott and Denzel Washington's latest collaboration is pretty much the definition of high concept – a runaway freight train loaded with thousands of gallons of diesel fuel, eight carriages of a highly toxic chemical and a worryingly curvy track ahead of it, versus two train operatives armed with little in the way of stopping impending disaster bar a one-car locomotive and their vivid imaginations.
It's not without its faults, but Unstoppable is a brisk, solidly entertaining thriller from start to finish. Scott has little time for characterisation or back story, preferring instead to kick things off via a pair of laughably incompetent rail yard employees roughly five minutes in, and then letting his leads fill in the blanks as we go along for the ride.
Washington and Star Trek's Chris Pine play it straight for the most part – their characters are the reluctant Johnny Everymen found in most films that rely on extended peril for thrills, and they've both nailed the mixture of brooding intensity and occasional comic relief that typifies movies of the genre.
Enough about the acting though – when you're watching a film of this nature, you want the action sequences to impress rather than worry too much about the story, and on this front Unstoppable delivers. Scott's track record in the field puts him in the perfect place to deliver the goods, and there's very little of the distracting, overdone camera-work that has plagued his recent output.
There's perhaps a little too much ShakyCam for my tastes but for the most part everything is shot with enough scope to be extremely impressive. The near total lack of CGI means the film looks suitably gritty and the pace is utterly, utterly relentless – there's no time to breathe here, just set-piece after set-piece with only brief conversational respites to quickly set up the next danger faced by our blue-collar heroes.
This type of film never goes down too well with critics and you can predict the reviews already – yes Unstoppable IS cheesy, it IS forced, it IS derivative and has all the depth of a puddle, but if you want to switch your brain off for 100 minutes and sit back for a magnificently enjoyable slice of escapism, you couldn't do much better. Highly recommended.
Unstoppable plays out like a basic action thriller that keeps us engaged the entire time. With the train as the center of the story, in a way we get transported back to the days of great entertainment, where the storyline is simple, characters pure, and the dialogue isn't overdone. Here is an action film that stays on track and keeps you glued to the edge of your seat until the high-intensity climax is over. It operates at gut-level mode, as we get to follow all the twists and turns of the main character, runaway train #777. Unstoppable is a summer movie action blockbuster released in a winter spot that doesn't pause for a breath as it picks up steam, and most likely you won't either. It's one of those mindless thrillers that was made so well you probably will miss a lot of the detail as the movie literally sweeps you away, which is what a great action movie will do.
Unstoppable is based on a true story that comes out of Ohio where we have a low-level employee who fails to set the air brakes on a train while changing tracks and the issues that ensue as a result. The director Tony Scott, no newcomer to the action genre, sets the stage for the high-octane second half by letting us get to know the 2 main characters: Rookie conductor Will Colson (Chris Pine) and veteran engineer Frank Barnes (Denzel Washington). The two both have their share of family issues, which adds to the difficulty of being able to work together initially. Another dynamic we discover is that the company is forcing employees to be laid off, as evidenced by the fact that Barnes is being replaced by younger engineers such as Colson. The 2 characters provide solid low-key performances and we see the tension that initially exists turn into mutual cooperation to work together for a solution, and then at the end, respect.
Solid performance also given by Rosario Dawson, who is both the eye-candy and sounding board for our heroes, planted where she can see all train activity.
As the movie progresses, we come to find out that this runaway train laden with toxic chemicals is headed towards heavily populated areas, and our stomach starts to sink about the devastating possibilities that may occur should everything go wrong. The plan? to link up to the phantom engine from the back and pull it the other way, coming to a full stop.
It is fascinating to watch the failed attempts to stop the train, which seems to add to the power, giving the audience a realistic idea of how "unstoppable" this train truly is with it's 10M pounds of force going full-steam ahead.
In the end what we are left with is ordinary men putting on extraordinary acts of courage. Where there might be chest-pounding there are a couple of family guys doing what they felt should have been done by anyone in that situation, and a humbleness that brings a more realistic quality to the movie.
I'm glad that the sensationalism was toned down so that the thrills that the movie had to offer truly thrilled me. As others have stated already, Unstoppable is truly a "Speed" on tracks and definitely one of the year's finer action movies.
7/10 stars
Loosely based on a true story from 2001, UNSTOPPABLE is a tension packed, heart-racing juggernaut of a movie about an unmanned, runaway train carrying a payload of highly flammable fuel and toxic waste that is heading straight for the densely populated of Stanton, Pennsylvania at 70mph.
Several human errors by an incompetent train driver Dewey (Ethan Suplee "Randy" from My Name is Earl) and his colleagues allows the out of control train to leave the depot without air brakes and security cut out systems and from then on, the race is on to try and stop this out of control half-mile long train "bomb" from devastating a city.
After several attempt fail train driver Frank (played by double Oscar winning Denzel Washington – Training Day, Man on Fire, Malcolm X, Cry Freedom), and rookie conductor Will (Chris Pine – Star Trek) find themselves isolated as the last resort to try and prevent a disaster of epic proportions
Ably directed by Tony Scott (who has something of a history with trains and Denzel Washington Taking of Pelham 123, Man on Fire), UNSTOPPABLE features some really good camera work, low ground shots, blur in movement, close-up action and a very imaginative use of sound and music (this film can be really loud in parts) are things that really emphasizes the feeling of locomotive power, speed and imminent destruction I could swear that my seat was shaking as the train speed increased
Throw in some human drama, agitated animals and a train load of school kids in peril not to mention the annihilation of a whole city and you have all the ingredients required for an edge of the seat action thriller
There are very good acting performances also by the supporting cast, namely Rosario Dawson as Connie Hooper the senior train dispatcher who does an admirable job in keeping the tension up and she is the "glue" that holds all the dialogue, characters and plot lines together Kevin Dunn as Oscar Galvin as Hooper's boss and Kevin Corrigan as Inspector Werner a train safety inspector.
UNSTOPPABLE is very recommended and is a film that really needs to be watched on the big screen in a cinema that has really good surround sound to get the full benefit of the camera work and soundtrack.
UNSTOPPABLE is 98 mins long, is an 12A certificate and will be on general release from Weds 24th November 2010