DVD Wake Before I Die

A fascinating expose of morés in a small town – where religious convictions and the congregation members are never what they seem. Superb acting by an Oregon based ensemble and quality production values by a local Portland crew give this production a veneer that the producers – and financiers – should be proud of. Congratulations for a thoroughly entertaining evening. Special regard should be made for the lead performance of the Pastor (Robert McKeehen) and his sympathetic, level headed wife (Audrey Walker) while Michael Prosser gives that delicious creepiness to Ethan Evans, initially thought to be the bad guy, yet really the fall guy. Robert Blanche provides that understated, demonic twist. Newcomer Nouel Riel (soon to be seen in a great little flick "Did You Kiss Anyone") is excellent as the confused teenager, and focus of the cult. While naming names, Writer/Director/Cinematographer Brother class-act Jason and Todd Freeman meld a terrific cast and fine performances.

I thought one of the best parts of this film was the young actor who played the pastor's son. Finding a watchable, and BELIEVABLE, child actor who can carry so much screen time is a challenge in itself, let alone in a smaller city like Portland where the infrastructure is not yet in place to churn out the hordes of well-trained young stars-aspirant that directors have access to in LA, for instance. So kudos to Elijah Nelson for his performance, and to the filmmakers for casting him.

Not a filmmaker myself, I refuse to really speak to the film's more technical aspects…besides saying that MAKING A GOOD MOVIE IS HARD, why don't YOU try it and then come back and spout opinions! I am proud of our local boys for using the Opif to create something fitting for mainstream cinema, with professional production values all around. I think many of the deficiencies mentioned by our aspiring film critics (like spotty writing, over-scoring, etc.) are typical pitfalls of a film that is written, directed, edited, and produced all by the same team of people. To quote a favorite acting teacher of mine, they "fall in love with their own material," and have a hard time taking the axe to their product to really whittle it into something marketable, concise, and of quality. As the local industry grows, however, I am sure filmmakers will be able to avoid this trap more and more often. Oregon has such a talented and qualified pool of film workers that second and third opinions can't help but start to mean something.