DVD Love Sick Love
Rating: 4.7
Genres: Thriller
Director: Christian Charles
Writers: Ryan Oxford
Stars: Lindsay Rose Binder, Jim Gaffigan, Dean Kapica
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Storyline A ‘boy meets girl’ romance that quickly turns into a twisted thriller. Dori, a sexy siren, traps Norman, a slick New York businessman, and forces him to live through a year of holidays to prove they’re a perfect couple. But with Dori, Valentine’s Day, Christmas and New Year’s celebrations take place over one weekend in an isolated country house far from help or a phone tower. “Love Sick Love” is a complex and suspenseful journey into the darker side of passion. Written by mouseROAR user |
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Plot Keywords: holiday, country house, weekend, christmas, valentine’s day | |
Details: Country: USA Release Date: 26 April 2013 (USA) |
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DVD Love Sick Love
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For an unemployed single mother of two a Porsche driving company owner sure seems like the man of her dreams, but it is not the same for him. Her unrealistic expectations turn to bitter disappointment when her 'I love you' is not reciprocated, and she becomes vengeful. She expects a lifelong financial support both for her and her two kids in exchange for some bedroom and occasional kitchen action, and that is what she calls Love, and being in touch with her emotions! The storyline portrays psychotic, but comments on ordinary, everyday relationships. A sad state of gender affairs. Bitter, but all too realistic film.
Seduction that turns into obsession, and then torture. Comments on family as 'ball and chain' for the male, in this movie literally. This is a serious date movie, not a romantic comedy. It is not a triller, but social commentary.
Norman is a busy, successful real estate agent who is deeply interested in making money, no matter how much time it takes. He likes his girl friends, but tends to cycle them, a new one every so many weeks. Dori, however, gets him to go on a long weekend early enough in the relationship that he decides to go.
Dori has surprises from the beginning. She goes through the 'I love you' dance a bit early. The next morning, Dori introduces Albert and Dolly, her son and daughter. Then she introduces her grandfather and grandmother as well. Norman is by no means ready or willing for this to happen.
Norman attempts to leave, but Dori has sawed off the steering wheel on his Porsche. This is where he needed to do anything he could to leave. He comes close to it, but his cell phone reception is poor. Dori slams him over the head with an iron, then ties him down to a bed. The kids are on with it, as are grandpa and grandma.
The festive tortures that the kidnappers put Norman through are both ordinary and disgusting. They celebrate all sorts of holidays during the long weekend: Valentine's Day, Easter, Father's Day. They tie him up with duct tape, chain his legs together, then make fun of him when he cannot hold his bladder after a long time.
Norman does his best to leave, but the ball and chains make it difficult. They talk, and talk, and talk.
Norman does get free, locks Dori away, then starts to run away. Dori suckers him in by yelling that Dolly had trouble breathing. This was an horrid moment, when Norman's small piece of compassion is leveraged by this family of psychos. They re-capture him, then subject him to Christmas carols while dressed for Halloween.
Norman knows he's in trouble when the New Year's celebration involves voting, rather like the voting in an elimination derby, such as Survivor. Is there any way out for Norman?
——Scores——–
Cinematography: 8/10 Well done.
Sound: 10/10 No problems.
Acting: 8/10 I liked the performances of the veteran actors. The child actors did well in their roles.
Screenplay: 7/10 Story makes sense in a sick sort of way.
—–Conclusions——-
A bit too much of the PC bovine scatology. Dori sounds oh, so calm and clear and philosophical as she drags Norman's body into the shed. This is one of the harshest crushings of the human spirit I have seen in quite a while. This is horror at its purest, not a thriller, as billed. 'I still believe in love,' says the kidnapping multiple murderess at the end. A much better ending would be that Norman escapes when he had the chance, comes back with police, and the four kidnappers are killed in a hail of bullets. That would have been a thriller, as opposed to this embrace of murderous madness.
Ostensibly marketed as a thriller, this little independent film is anything but. It's more akin to a black-comedy that has vaguely thriller elements. I didn't mind the 'all women are nuts' undercurrent running through the film, as its merely a flip side of all the 'guys are evil pigs' Lifetime TV movies out there. What I did mind was that all the characters were rubbish, improperly motivated and felt unrealistic (even In the confines of the movie) I got some chuckles out of the grandparents played by veterans Charlotte Rea and M. Emmet Walsh, however not enough to say that this silly lil movie is worth watching.
Eye Candy: Katia Winter is topless for all of one second
This movie meets Misery with a twist of Texas Chainsaw Massacre, great movie, well written, Katia Winter is perfect as Kathy Bates. This movie would make a great boyfriend girlfriend movie to watch together. Love sick love would make a great husband wife movie to watch together. The movie uses great props, great usage of automobiles, great usage of homes. The grandparents home reminds you of the great movie Psycho. Love sick love passes as a realistic movie, something that could very easily happen to you or I. Love sick love is a must see for any serious movie watcher or movie critic. The movie was released in 2013 and should win many awards for great acting, great writing, great camera work, this movie should leave you with a sense to look closely at your very own relationships, rent or buy this movie is worth the green money. Enjoy the movie.