DVD Girlfriend

Girlfriend is the first full-length film from writer/director Justin Lerner. I first met him and reviewed his impressive short The Replacement Child at the 2008 Santa Barbara Film Festival, so I was eagerly awaiting his first feature. It's an auspicious debut for this talented young director and it far exceeded my expectations.

The film stars Evan Sneider (The Replacement Child), Shannon Woodward (The Haunting of Molly Hartley), Jackson Rathbone (The Twilight Saga), and Amanda Plummer (Pulp Fiction).

Evan Sneider plays Evan, a young man with Down's Syndrome who longs for a girlfriend and the kind of rich life he believes he's always been entitled to. He never sees himself as a victim or as someone with an affliction, in need of pity or special treatment. Evan has a big heart and just wants someone to share it with besides his doting mother Celeste (Amanda Plummer). She lives for him and he lives for her. The object of his affection is Candy (Shannon Woodward), who still harbors feelings for her abusive ex-boyfriend Russ (Jackson Rathbone) as she searches for someone to provide for her young son.

Unexpected circumstances send Evan down an unimaginable road, one which keeps the viewer twisting and turning, never knowing whether his next encounter will provide comfort or danger. Empathy for him plants the seeds of discomfort and the ensuing suspense builds throughout the film.

Girlfriend truly has the sparse look and gritty feel of the "sweet little American indie" that I search for at festivals. Natural lighting is used where possible, and flashy visual effects are kept to a minimum. The viewer simply observes as the story unfolds. Quyen Tran's skillful cinematography takes full advantage of the film's claustrophobic settings by shooting through windows and doorways — the technique known as frame within a frame — rather than crowding the characters. To provide depth, Lerner and Tran devised a plan whereby each actor would be filmed a certain way — Evan with closeups, Rathbone with a long lens — and it's strikingly effective in its elegance.

The use of long takes without dialogue is one of the most powerful elements of this film. Periods of silence can often say more than words on a script as the viewer is forced to create the conversation in his own head. Actors who can communicate through facial expressions and simple gestures don't need lines to have an impact on the audience. It's one of the most impactful and dramatic techniques used in Girlfriend and left me with a sense of wonder.

If you could hear a gem it would have the poignant music scored by lead actor Rathbone's band 100 Monkeys. The members of the band — Rathbone, Jerad Anderson, M. Lawrence Abrams, Ben Johnson, and Ben Graupner — scored and wrote original songs for the film. The bond between the writers and the project is apparent — Rathbone stars and serves as co-producer, Anderson also acts and produces — and the whole is greater than the sum of its parts.

It's always hard to single anyone out in such a brilliant ensemble cast but this is clearly Evan Sneider's film. It was written for him and with much love, and it shows. There's no discerning whether or not the plot is based on experiences he's had in real life. Far from being exploitative, Lerner's narrative never uses Evan's condition as a crutch (and neither does Evan). The story would work even if the character didn't have Down's Syndrome, and that's a testament to Lerner's knowledge of, and sensitivity about, the issue.

Shannon Woodward puts her heart and soul into the role of Candy. One can almost feel her emotional pain as she struggles to put food on the table and keep a roof over her son's head. The viewer is equally spiteful toward Russ, a first class villain who never shows a tender side except in deception. Rathbone's spiteful portrayal is in stark contrast to the goodness surrounding most of the characters. He is evil personified. Amanda Plummer's star turn as Evan's mother Celeste is simply heartwrenching. It's clear that Lerner gave his actors free reign to improvise. It works because they clearly have developed working relationships based on trust — with the filmmaker as well as castmates. The unscripted dialogue sounds authentic because it's real.

This movie about (and starring) a young man with Down's Syndrome has some scenes which may make audiences uncomfortable but, to me, that's one of the definitions of true art — it moves you, makes you happy, sad, angry — it affects you emotionally on a deeply personal level. Girlfriend can be hard to watch at times but is one of those films that deserves the label "important."

Girlfriend is a dark film, a very heavy film, weighing down on you as you watch it. There is so much going on beneath the surface of the artfully simplistic filming techniques. The viewer is forced to pay close attention to the cues within a wide shot, the secrets behind a dialogue, and the tragedies behind a profile.

The core cast is small, and we get to know each character in depth. To me, this adds to the small town feel provided by the setting of Girlfriend, Wayland, Massachusetts.

Evan is a kind and pure heart, and everything from the way he is filmed to the lines he says presents him as such. We simply see him, in his small world, reaching out to and caring about the people around him. This is exemplified when he decides to give a large sum of money to the woman he has crushed on since high school, Candy.

Candy has a difficult time believing that Evan's gift is from the kindness of his heart and not a means to an end. It is here that we get a glimpse into what her life has been like. Her past experiences and relationships have left her jaded. She's lost, held together only by her love for her son.

Russ… Russ took me by surprise at how vile he was, even being prepared by the synopsis and the movie trailer. He is Candy's ex-boyfriend; violent, alcoholic, and just as lost as she. He still involves himself in her life, as does she with his, and the interaction is never healthy.

Kenny is a key pressure point in the story, helping to create conflict in an already volatile situation. His presence on screen is brief, but his impact on the story remains throughout.

During a question and answer bit after the second showing at the Toronto International Film Festival, someone asked the cast and crew about the filming techniques used in the film. I found the cinematographer's response to be very intriguing. She explained that each main character was filmed in a unique way that exaggerates the nature of their situation and personality.

Evan was filmed in wide, steady angles, so that we could see him in the middle of his world. Long takes allow the viewer to experience the passing of time in his overwhelmingly lonely reality.

Candy was always filmed lost in a tight frame, between other people or objects, to demonstrate how suffocated her character was. This certainly came across to me, often times feeling stifled just watching it.

Russ is a dark and mysterious character, and the camera got this across by shooting him from a distance and obstructing the view. Russ is always lurking in the back of your mind from the moment you meet him. My first time seeing the film, I was often left with a knot in my stomach after his scenes, just from the feeling of dread that his persona left with me.

I wholeheartedly believe that the cast chosen for this movie was beyond perfect. My congratulations go out to the production team for putting together such a successful band of talent. Evan Sneider is without a doubt the star, and his portrayal of everything from kindness, innocence, longing, hurt, and anger left me breathless. He masterfully delivered some of the most impacting lines in the film.

Shannon Woodward seems to be worn beyond her years as Candy. She presents the character as so lost and hopeless, tired of life in general, with little to cling to. There was a moment of having to return my mind to reality after the film when I had the pleasure of meeting Shannon, sweet and vibrant and humble.

Jackson Rathbone as Russ was absolutely haunting. From the moment you meet his character in the movie, the hair on the back of your neck stands up and you just know he's nothing but trouble. All through the film he demonstrates time and time again that he is in a dark, dark place. It is a testament to Jackson's talent as an actor that there are moments when you find yourself hurting for Russ, and you feel conflicted about it. Jackson's mastery of Russ' facial expressions was what impressed me the most. In any scene, you can see and hear what Russ is putting out there, but see another emotion cross his face; doubt, revulsion with himself, shame, hurt. It is in these moments that you see the man behind the hard exterior, the man that knows when he is doing wrong, the man that feels emotions like anyone else.

So much went into making this film as beautiful as it was, and my review wouldn't be complete without mentioning the original score and soundtrack. The score was composed by the band 100 Monkeys, whose members include Jerad Anderson and Jackson Rathbone (both Girlfriend actors and producers,) M. Lawrence Abrams, Ben Johnson, and Ben Graupner. Its sound is raw and often times dark, much like the story, with subtle drones and dramatic crescendos that aided the suspense and anticipation prevalent throughout the movie. The soundtrack features well placed songs by talents such as Daniel Johnston and Spencer Bell. It is clear that everything, from the cast, the camera angles, the dialogue and the music, was chosen with the utmost care and attention, and was, to me, a total success.

I came away from the movie feeling that it was a very bold and very important film. It touches on so many themes; prejudice, necessity, humanity, abuse, love. Seeing it twice wasn't enough, and I feel such a strong desire for everyone in the world to get to see it now.

I congratulate everyone involved on an amazing and touching film. It has important statements to make, and I know that it will continue to make them as it wins the hearts of everyone that sees it.